Arachne's Song
Monday, February 15, 2021
A POEM FOR THE DAY AFTER VALENTINE'S DAY
Sunday, February 14, 2021
SO WE'VE HAD A LITTLE RAIN
Gentle Readers . . . and Maxwell,
So many of you have cold and snow or cold and ice. It's been raining here, on and off for days and days and days . . .
Yes, we have poor drainage here at The Little House On The Swamp. It's a swamp. My son bought a pump that works well, but I have no idea how to hook it up. I'll go out to the garage to examine it on a nicer day. If I wade out to look at it today, I'll only get frustrated.
We deal with the rain as best we can.
Penelope hides from it in my closet.
I decided it was a good day to bake banana bread, which I've wanted to do for a while so I could add chocolate chips to the batter as Mitchell's beloved San Geraldo does. Everything San Geraldo makes looks yummy.
I started some music and soon enjoyed the sound of Jack's nasally whine. Meg whacked the drums.
Friday, February 12, 2021
MOVIE WEEKEND: KISS ME KATE
Gentle Readers . . . and Maxwell,
Recently when I felt a bit down, I watched a classic movie––Kiss Me Kate (1953; I recorded it from Turner Classic Movies; also available on some streaming services for $2.99 to $3.99).
Kiss Me Kate features a musical within a musical. Howard Keel and Kathryn Grayson perform as Fred and Lilli––two divorced, battling actors––but also as Petruchio and Katherine in a musical based on The Taming ofLilli: Do you really think *I* could play the shrew?
Fred: You'd make a perfect shrew!
Ann Miller plays Fred's new "girlfriend," Lois, to whom he gives the part of Bianca.
While I appreciate Keel's rich baritone and Grayson's sweet coloratura soprano, it was Ann Miller's dancing that had me tapping my toes.
Here, Miller and company perform From This Moment On, which includes Bob Fosse's first on-film choreography danced by Fosse and Carol Haney.
Tuesday, February 9, 2021
TIP TUESDAY: AVOID PASSIVE VOICE AND MARJORIE TAYLOR GREENE
Gentle Readers . . . and Maxwell,
Avoid passive voice; in other words, "the form of the verb which shows that its subject is not the agent performing the action to which the verb refers but rather receives that action: The ham was sliced by Emily" (Harbrace).
Furthermore, "the passive voice also lends itself to . . . muddied, heavy-footed writing" (Fundamentals).
Sometimes, "politicians and CEOs of failing companies use passive voice or similar sentence structures in an attempt to avoid responsibility for their actions" (Instructions).
I noticed an interesting example of usage last week when Marjorie Taylor Greene spoke of how she has been "condemned and crucified" for words she used in the past. Greene stated: "I was allowed to believe things that weren't true."
Strictly speaking, it's not an example of passive voice because Greene has the subject (I) right. But most of us would say I believed things that weren't true because we want an active verb and because we accept culpability. Greene also could have said I allowed myself to believe things that weren't true so I could get elected, kiss trump's ass, gain power for my cause and so on.
By saying "I was allowed," Greene deflects self-blame and lies. No one "allowed" her to believe insane claims.
I considered including more of Greene's lies here, but I can't. They're abhorrent. So as Penelope usually says at the conclusion of her blog posts, That is all.
Infinities of love,
Janie Junebug
Sources: Harbrace College Handbook, English Fundamentals, Instructions For Living by Janie Goltz